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Internationally renowned tenor Michael Hendrick… a very sympathetic, deeply emotional, finely characterized hero. His voice is one of great strength, distinctly lyrical. For his big scene, Hendrick spewed forth power, frustration

The public greeted by a burst of applause the vocal and dramatic work of Michael Hendrick, whose powerful and generous delivery was a guarantee of the poor widower’s vitality but

A very present, finally intelligent command of his voice in the main role, showing here Paul ideally sickly, Michael Hendrick is hardly saves himself in Korngold’s tense, copious and demanding score. If

It is a strong but daring idea to give Die Tote Stadt without intermission, 2 hours 20 of often furious continuity: it is only necessary that Paul, tenor protagonist, constantly to

The American tenor Michael Hendrick, an experienced Bacchus, took over. As it turned out, Mr. Hendrick was grappling with a cold as well. He went on, but he requested the audience’s understanding, a

Hendrick rendered Lennie with indisputable authority. He could caress a phrase suggesting complete innocence, and then in an instant create a sensation of utter, frightening menace…. Contemporary opera offers few human

Singing and dramatic intensity were at fever pitch. At the intermission, it was announced that Michael Hendrick (Lennie Small) was indisposed, a condition that he had gamely concealed during Act I. Nonetheless, Hendrick sang