REVIEWS
June 1, 2001
Recording Review: William Lewis (Pollux) and Michael Hendrick (Merkur) are assets to the performance.
Flanigan, Saffer, Mesic, Jennings, Phillips, Canis; Coleman-Wright, H. Smith, W Lewis, Hendrick;...
February 23, 2001
Michael Hendrick sang very well, with a rich and subtle tenor that was particularly thrilling in the high range.
by Jack Robinson
The Los Angeles Times
January 11, 2001
The tenor soloist, Michael Hendrick, got the job done.
The Baltimore Sun
January 1, 2001
Hendrick sings powerfully throughout, with intensity and a sense of dramatic build. Nice pealing high notes, security in the lower range, balanced, rounded- an engaged, viscerally connected reading....
January 1, 2001
The loudest (ovation) was justly granted to tenor Michael Hendrick’s endearing portrayal of the childish giant Lennie, who loves to stroke soft, furry things but never comprehends why they die under his...
October 14, 2000
Other singers-in-training perked up the ears, particularly tenor Michael Hendrick and soprano Dina Kuznetsova.
CHICAGO – John Harbison’s “The Great Gatsby” is coming...
September 12, 2000
Michael Hendrick and (Felicity) Palmer gave the audience a great, dramatic power, a total kind of expression in Verdi’s duet “Ai nostri monti” from Act IV of his Il trovatore.
Lyric...
February 12, 2000
The Tucson Convention Center Music Hall crowd of 1,600 thundered its approval of the two hour and 15 minute work, saving its most enthusiastic applause for tenor Michael Hendrick, who played the lumbering...
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