REVIEWS
April 1, 1998
Sarasota was lucky above all in its choice of tenors. Michael Hendrick sang a convincing Laca with a sturdy, robust voice.
Das Opernglas
March 1, 1998
As Levko, tenor Michael Hendrick showed a powerful, even voice with ringing high notes and a great sense of style… It was a triumph.
by Christine Gransier
L’Opera (Italy)
January 1, 1998
Tenor Michael Hendrick made a believable Laca, sulking and spiteful in Act I as he voices his resentment of his step-grandmother’s unloving treatment of him and cutting Jenufa’s cheek with his...
January 1, 1998
Tenor Michael Hendrick, as Laca, so good in previous seasons, tackles this demanding and dramatic role with strength and superior talent. He is superb. Bravo.
The Advertiser
January 1, 1998
Michael Hendrick’s Laca was a compelling, convincing fellow, with plenty of vocal stamina and expressive nuance.
Opera (U.K.)
December 22, 1997
Michael Hendrick, as the prince himself, offered an excellent lyrical sweetness in the love duet, and his high notes rang sure.
While ”The Nutcracker” is well established among holiday season...
November 13, 1997
Tenor Michael Hendrick was an ardent Vodemont, whose love is the restorative tonic.
Opera News
October 1, 1997
In the event, the tenor was replaced by Michael Hendrick, who acquitted himself more than satisfactorily… the queen’s new paramour is her former slave Spakos, sung by Hendrick, who...
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